In any case, at this distance, f/2 and f/2.8 look kind of similar. Bear in mind, however, that the background blur changes, but not the brightness of the image. You can cover functionally the same landscapes with a 16-35mm f/2.8, a 50mm f/1.8, and a 70-300mm f/4.5-5.6. The exact numbers here are not important at all. Wide-angle lenses, such as a 24-70mm or 14-24mm are particularly suitable for landscape photography, due to their broad field of view and deep depth of fieldboth desirable attributes for general landscape purposes. 70-200mm f/4: Ideal for capturing distant landscapes and isolating subjects. When looking for a lens for landscape photography, most common advice will suggest you begin with a wide-angle lens. That means the background blur on the cropped 24mm photo is equal to a photo taken at 35mm and approximately f/2.8, because aperture is a function of focal length. 24-70mm f/4: Meant as a walk-around lens for normal focal lengths. The 24mm shot then got cropped roughly 1.45x to match the 35mm shot. Other factors matter for landscape photography, like the lens’s size and. It’s sharper than the Nikon 24-70mm f/2.8 VR at all focal lengths, and that’s saying a lot the F-mount lens is no slouch at all. In the case of the photos below, the 35mm and the 24mm photos are both shot at f/2. The Nikon Z 24-70mm f/4 is the sharpest 24-70mm lens we’ve ever tested at Photography Life. If you are cropping in the 24mm lens slightly, you will be losing some background blur. The 35mm shot has a slightly blurrier background. I’ve shot both photos with the same aperture at the same settings and the same distance to the subject. The only difference is the background blur. When it comes to using this focal length for landscape photography, it is a happy medium between the 24mm and the 50mm as it allows you to get wide shots with foreground and background details in your frame and captures the scene as you see it. 24mm prime lens or 16-35mm zoom lenses are commonly used for landscape photography. The 35mm lens is probably the most common lens used by street photographers, and this is because it has a lot of advantages in. The 35mm is one of the best focal lengths because of its versatility. Ranging in focal length between 14mm to 35mm, wide-angle lenses capture the widest field of view of any of the lens types. At times I will focus on an element in the foreground and intentionally blur out. There’s no huge advantage of having such a wide aperture for these subjects as I will typically want more rather than less in focus. So for instance on mirrorless cameras, this would be the equivalent of a 23mm and 35mm lens. It’s not at all uncommon to use a 35mm lens for landscapes or photographing buildings. If I were to crop the 24mm image to match the 35mm image, you would see very little difference, if there is any. 35mm Lens for Street Photography When I talk about 35mm and 50mm focal lengths, I am referring to the full-frame equivalent. That is because the distance to the subject remains the same between the two shots. The facial features do not differ at all. Both photos taken from the same position, showing the effects of differing focal lengthĪs you can see, the background is not any closer in the 35mm shot if you compare it to the 24mm photo.
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